BOGO Tickets to Keller Williams at BAC!

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$12.50
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The deal ended at:
08/05/16
12:57PM

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No need to download a voucher. ONLINE REDEMPTION ONLY! The first 25 tickets sold will be half-price when using the promo code ENCOREPUB at https://www.ticketfly.com/purchase/event/1194505. No discounts will be given at the door.

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IMPORTANT: No discount will be given at the door with an encoredeals voucher. The first 25 tickets sold with the promo code ENCOREPUB will be half price. Redeem at https://www.ticketfly.com/purchase/event/1194505

 

Fri, August 5, 2016

Doors: 7:00 pm / Show: 8:00 pm

Brooklyn Arts Center

Wilmington, NC

 

Those who’ve followed Keller Williams’ recording career to date know that he has given each of his albums a single-syllable title: FREEK, BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, REX, LIVE, ODD, THIEF, KIDS, BASS, PICK, KEYS and FUNK. Each title serves not only as a concise summation of the concept guiding the particular project but also as another piece of the jigsaw puzzle that is Keller Williams. GRASS, for example, is a bluegrass recording, cut with the husband-wife duo the Keels. STAGE is a live album and DREAM the end product of a wish list: Keller collaborating with some of his greatest musical heroes. THIEF is a set of unexpected cover songs. And KIDS offers up, you guessed it, Williams’ first and possibly only children’s record.

The naming trend has continued with 2012’s BASS and PICK, respectively a set of songs where Keller plays bass and William’s collaboration with royal bluegrass family The Travelin’ McCourys. In 2013 – Keller released FUNK with his newest collaboration – a six-piece funk outfit – More Than a Little. What all of the titles reveal, when taken together, is an artist of great stylistic breadth and infinite imagination, a singer, songwriter and musician, always on a quest for the new. Keller Williams has never followed the prescribed path laid out by the conventional music business, nor has he taken the prescribed meds laid out by his team of conventional doctors. Instead, he has taken the A.D.D. path (Artistic, Determined, Dedication). It’s a path that has served him quite well.

Since he first appeared on the scene in the early ’90s, Williams has defined the term independent artist. And his recordings tell only half the story. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar. With the use of today’s technology, Keller creates samples on the fly in front of the audience, a technique called live phrase sampling or looping, With nothing pre-recorded, the end result often leans toward a hybrid of alternative folk and groovy electronica. A genre Keller jokingly calls “acoustic dance music” or ADM.”

That approach, Williams explains, was derived from “hours of playing solo with just a guitar and a microphone, and then wanting to go down different avenues musically. I couldn’t afford humans and didn’t want to step into the cheesy world of automated sequencers where you hit a button and the whole band starts to play, then you’ve got to solo along or sing on top of it. I wanted something more organic yet with a dance groove that I could create myself.”

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